Having escaped the Franco regime and gone to Paris in 1961, there Rabascall encountered the chief protagonists of French Nouveau Réalisme; later he went to London, where he had contact with the English avant-garde. Strongly influenced and inspired by these experiences, he began utilizing the language of the mass media themselves to criticize the mechanisms by which they operated. With carefully aimed manipulations of television images or newspaper texts, for example, he endeavoured to call attention to various aspects such as the influence of mass tourism and globalization on landscape and language.
In addition to collages, assemblages, installations, artist’s books, photos, films, prints and texts, the exhibition also comprises ephemera, multiples, postcards and posters. The creed of Rabascall’s art, which took shape early on in his career, becomes evident in the process: the artist was consistently concerned with art as a means of countering the trivialization of culture. Joan Rabascall’s works and the themes they address not only mirror the art and society of their time. Even to this day, they have lost nothing of their relevance.

An exhibition of the Research Centre for Artists' Publications organised with the Museu d'Art Contemporani de Barcelona and the State Corporation for Spanish Cultural Action Abroad, supported by the Institut Ramon Llull and the Instituto Cervantes Bremen

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